Station Peace uses loitering, extends the fast-paced temporarily of the station to a place of temporal abjection (within but dangling off the edge of the central station time). Taking Beuy’s felt suit which was banished to the Tate archive, after being eaten by moths, as a starting point, this film is a fictional undeading of Beuy’s felt suit,  the suit becomes zombie, as way to establish the ‘‘socially abject’’ into the archive. Refusing collaboration as cure, this work welcomes  the ‘other’, a place for the abject(ed) to survive. 

References:

Sharpe, Emily. The case of the moth eaten Felt suit. The Art Newsletter. June, 19th, 2015. https://www.theartnewspaper.com/2015/06/19/the-case-of-the-moth-eaten-felt-suit